Guillermo del Toro has once again tapped into Canadian creative talent for his latest film, *Frankenstein*, shot entirely on soundstages in Toronto. Following his success with *The Shape of Water*, which earned him an Academy Award in 2018, del Toro continues to collaborate with a close-knit group of artists from Ontario. J. Miles Dale, the producer of both films, emphasizes that the majority of key creative roles in *Frankenstein* are filled by Canadian professionals, underscoring the region’s growing prominence in the film industry.
The film presents a fresh take on Mary Shelley’s classic novel, featuring Oscar Isaac in the role of Victor Frankenstein and Jacob Elordi as the creature. Mia Goth plays Elizabeth, intertwining complex narratives of ambition and horror. As *Frankenstein* approaches its premiere at the Toronto International Film Festival (TIFF), Dale reflects on the importance of local talent in bringing del Toro’s ambitious vision to life.
Building a Creative Community
Dale describes the film industry in Ontario as a resilient community that has emerged stronger following the challenges posed by the COVID-19 pandemic and recent Hollywood strikes. He notes, “I’ve been in this business a long time, and it’s remarkable to see how Canadian artists have reached the same level as their American counterparts.” This evolution is evident in the recognition received by local talents, such as Tamara Deverell, who earned an Oscar nomination for her production design in *Nightmare Alley*.
Dale highlights the significance of nurturing this talent, stating that many artists currently at the forefront of the industry are also dedicated to mentoring the next generation. He cites examples like Craig Lathrop, a production designer nominated for his work on *Nosferatu*, and Luis Sequeira, who has been recognized multiple times for his costume designs.
The collaborative nature of del Toro’s projects fosters a familial atmosphere, as many crew members have worked together for years. This sense of belonging is crucial in a high-pressure environment, where del Toro’s exacting standards demand a strong trust among collaborators. “The worst fear on a Guillermo del Toro movie is letting him down,” Dale admits, acknowledging del Toro’s relentless work ethic and his commitment to the creative process.
Del Toro’s Vision and Artistic Specificity
Del Toro is known for his meticulous approach to filmmaking, a trait that serves to inspire those around him. Dale describes the director as having a unique ability to articulate his vision, often down to specific color schemes and design elements. “For instance, red is a key color in *Frankenstein*, representing Victor’s memories of his mother,” he explains. This level of detail allows the production team to align closely with del Toro’s artistic direction, enhancing the overall quality of the film.
The film’s sets, including Dr. Frankenstein’s laboratory, are designed to reflect del Toro’s extensive research and artistic influences. The team utilized artists from Mexico and France to create a rich visual tapestry that stays true to the themes of the original novel. Dale believes that *Frankenstein* will resonate deeply with audiences, as it captures the essence of Shelley’s work more faithfully than previous adaptations.
Del Toro’s commitment to his craft and his collaborators creates an environment where creativity flourishes. Dale notes that del Toro is always available for discussions, constantly answering questions and providing feedback. This engagement ensures that everyone involved feels valued and motivated to contribute their best work.
As *Frankenstein* gears up for its TIFF debut, it stands as a testament to the synergy between Guillermo del Toro and the talented Canadian crew that has supported his artistic vision. Their collaboration not only highlights the capabilities of Ontario’s film industry but also celebrates a legacy of mentorship and community that continues to thrive.
