UPDATE: Zak Bagans, host of “Ghost Adventures,” has just removed the protective glass from the infamous cursed cauldron once owned by serial killer Ed Gein. This shocking reveal is part of his Haunted Museum’s October exhibits, coinciding with the buzz surrounding Ryan Murphy’s new series, “Monster: The Ed Gein Story.”
For the entire month of October 2023, thrill-seekers can view this chilling artifact, which once contained human blood and entrails, without the barrier that has protected it for the past eight years. However, there’s a **frightening catch**: Bagans warns that the cauldron is considered extremely cursed.
“This isn’t about putting people in danger,” Bagans stated, emphasizing the importance of a closer look for his guests. “But touch it at your own risk.” His crew will be monitoring the area for any signs of paranormal activity, ready to document any eerie occurrences.
Local legends suggest that anyone who dared to touch Gein’s cauldron faced dire consequences. A psychic even claimed that Gein’s spirit remains attached to the cauldron, adding to its unsettling aura. This is particularly disturbing given Gein’s gruesome legacy as the inspiration for several horror films, including “Psycho” and “The Texas Chainsaw Massacre.”
Zak Bagans acquired the 25-gallon cauldron for $2,800 at auction in 2015. He previously featured it in his film with Eli Roth, “The Devil’s Cauldron,” as part of his HBO MAX series. The cauldron’s unveiling is not just a seasonal attraction; it transforms Halloween into a live horror experience, with a clear warning: **hands off the cauldron, unless you’re ready to face the consequences**.
As the spooky season unfolds, Bagans’ Haunted Museum in Las Vegas is drawing attention from horror enthusiasts worldwide. Visitors eager for a brush with the paranormal are urged to plan their visit soon, as this unique opportunity to see Gein’s cauldron sans glass is only available for a limited time. Stay tuned for any updates, as this development promises to stir even more eerie excitement in the days to come.
