BREAKING: Steppenwolf Theatre’s highly anticipated LookOut Series kicks off this weekend with the debut of Tania Richard’s solo show, “Black Girl from a White Suburb,” on October 3-4, 2025. This dynamic performance is set to spotlight the experiences of artists from Chicago, making it a must-see for theater enthusiasts.
Richard’s compelling 70-minute show draws from her memoir, recounting her journey as the daughter of Haitian immigrants in Western Springs, Illinois. With a powerful narrative centered on her transformative experience in a predominantly Black cast during the production of “The Song of Jacob Zulu,” Richard’s performance offers crucial insights into her identity as a Black woman.
“Having come out of an all-white suburb, this was the first time I had the opportunity to be part of the majority,” Richard stated. “It was crucial to my development in terms of my identity as a Black woman.” This poignant reflection promises to resonate deeply with audiences, highlighting the impact of race and community in shaping identity.
The LookOut Series features an eclectic lineup, showcasing the diversity of Chicago’s artistic scene. Following Richard’s performance, the series will include:
– **”The Sun at the End of the Road”** (Oct. 16 – Nov. 2): A collaboration with visual artist Tony Fitzpatrick, unveiling his latest book of poetry and art.
– **”No Stars in Jefferson Park”** (Oct. 28): Inspired by Maggie Anderson’s memoir, this performance navigates themes of love and loss within the backdrop of Chicago’s vibrant theater community.
– **”D-Composed: Our Stage”** (Nov. 6-9): A celebration of Black theater history through music, poetry, and monologues featuring various artists, including Cheryl Lynn Bruce.
– **”In Process: God Complex”** (Nov. 21-22): A work-in-progress exploring modern masculinity, presented by Teatro Vista Productions.
Tickets are priced between $23-$33, available now at steppenwolf.org/lookout. Located at 1700 N. Halsted St., the LookOut Series runs from October 3 to November 22, 2025.
This initiative not only highlights local talent but also provides vital representation for underrepresented voices in the arts. Richard emphasizes the political nature of storytelling, aiming to foster understanding and connection through her lived experiences. “I believe storytelling is a political act,” she noted, making this series essential viewing for anyone looking to engage with the diverse narratives that shape our communities.
As the series unfolds, anticipation builds for each subsequent performance. Stay tuned for updates and be part of this exciting celebration of Chicago’s artistic talent!
