The Berkeley Repertory Theatre is presenting the world premiere of Jez Butterworth‘s latest play, The Hills of California, which delves into intricate family dynamics and the lingering effects of a mother’s ambition. The production runs through December 7, 2023, and showcases the complex relationship between a mother and her four daughters, reflecting on themes that resonate across generations.
Set against the backdrop of the 1970s, the narrative follows Veronica Webb, portrayed by Allison Jean White, who has dedicated her life to ensuring her daughters achieve fame reminiscent of the iconic Andrews Sisters. Known for hits such as “Beer Barrel Polka” and “Boogie Woogie Bugle Boy,” the Andrews Sisters ruled the 1940s music scene. Veronica, who serves as a stern taskmaster, believes that her daughters can replicate this success. However, her ruthless approach has left deep emotional scars.
Director Loretta Greco, who has personal insights into sibling dynamics as the eldest of five sisters, brings a unique perspective to this production. Greco’s experience informs her understanding of the rituals involved in coping with parental loss. She reflects, “It was interesting to me how slippery the truth is and how one person’s trauma can be carried by another.” This thematic exploration is central to the play, which examines the complicated nature of familial love and legacy.
The story unfolds as the sisters reunite at their family home in Blackpool, England, to confront their mother’s impending death. This confrontation forces each character to reevaluate their individual paths, shaped by both joy and pain. Greco emphasizes the complexity of Veronica’s character, stating, “She’s not just ambitious but is also trying to be a great mom and do right by her girls.”
White’s portrayal of both Veronica and her estranged daughter Joan adds layers to the narrative. Joan, who built a successful recording career in the United States, returns home after years apart. White describes this dual role as an enriching experience, stating, “I have everything to help me make the characters different inside the different time periods.” The physical transformation through costumes and accents helps to differentiate the two characters while maintaining their shared lineage.
Greco’s previous work at the Magic Theatre in San Francisco has left a lasting impact on her approach to this production. She draws parallels between Butterworth’s writing and the works of celebrated playwrights like Sam Shepard and Harold Pinter, noting that Butterworth’s narrative is distinct in its focus on female experiences and perspectives. “Jez’s writing is so muscular and delicious,” she remarks, highlighting how effectively the past intertwines with the present in the play.
As audiences engage with The Hills of California, they are invited to reflect on the complexities of family ties and the legacy of ambition that often shapes individual identities. The performance, rich with emotional depth and character exploration, promises to resonate with viewers long after the final curtain falls.
