Film photography has recently experienced a surge of exciting developments, with Kodak leading the charge. On November 24, 2023, during the latest episode of Film Photography News, host Romping Bronco unveiled a series of innovative products that could significantly impact the analog photography landscape. These include a new compact camera, the long-awaited Analogue aF-1, a restock of a popular color film, and updated scanning equipment from Negative Supply.
One of the standout products is Kodak’s new compact camera, which is designed as a 35mm point-and-shoot model. This camera features a full 36×24 mm frame and a straightforward two-zone focus system—one for close-up subjects and another for distant objects. This design allows users to either keep it simple or rely on their instincts, enhancing the shooting experience. Notably, it includes a dedicated double-exposure switch, appealing to creative photographers.
Bronco emphasized that this camera, dubbed the Snapic A1, is not a luxury item aiming to compete with high-end brands like Leica or Contax. Instead, it serves as an accessible entry point for casual shooters, making it easier for individuals to explore film photography without the intimidation often associated with more complex models. It’s lightweight and portable, making it perfect for various situations, whether it’s handing it to a friend at a concert or letting a child take a few shots.
As for the long-anticipated Analogue aF-1, this camera has been surrounded by speculation for some time. Developed by a small team in the Netherlands, it promises a modern twist on compact film photography with features such as a 35mm f/2.8 lens and advanced Lidar/ToF autofocus. After numerous delays and rising skepticism, this week marked a pivotal moment as Bronco presented a genuine portrait shot taken with a working prototype. While one image does not guarantee success, it does indicate that the aF-1 is moving closer to its anticipated release in early 2026.
The restocking of film stock options also generated excitement among photography enthusiasts. Optik Oldschool’s OptiColour 200, a C-41 daylight color film, has become a cult favorite, known for its reliable color reproduction and user-friendly latitude. Bronco noted that its reappearance on store shelves is significant, particularly for those familiar with the frustration of encountering “sold out” notifications after hesitating to purchase.
To complement these developments, Bronco explored Negative Supply’s latest offerings in camera-scanning technology. The new 35mm carriers accommodate various formats, from half-frame to panoramic, and feature enhanced light sources for accurate color reproduction. The Basic Riser MK3 copy stand has also been introduced, designed to provide stability and durability for photographers looking to digitize their work efficiently. While this equipment may not be budget-friendly, it represents a serious investment for those seeking to elevate their scanning capabilities.
Taken together, these announcements reflect a broader trend in the film photography community. They signify that film is not merely a nostalgic pastime but a viable medium for new and seasoned photographers alike. The resurgence of new cameras, revived film stocks, and improved scanning methods cater to those who continue to embrace the art of film photography, demonstrating a commitment to the craft in a fast-paced digital world.
In a landscape where instant gratification often reigns supreme, the return to film photography symbolizes a deliberate choice to engage with the medium in a thoughtful and intentional manner. As Steven Van Worth, a photographer and writer with over 15 years of experience, aptly captures, the essence of film lies in its capacity to tell stories with depth and authenticity. As we move into 2025, the commitment to film remains strong, proving that it never truly disappeared—it simply evolved.
