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Jazz Musician Explores Connection Between Transcription and Feel

Jazz musician and author is currently engaged in writing a book that delves into the critical relationship between transcription and ear training. He argues that these two aspects are fundamentally intertwined, serving as essential tools for musicians to enhance their fluency and overall musicality. While listening is often perceived as a low-effort activity, the real challenge lies in bridging the gap between listening and playing.

Understanding the Core of Musical Fluency

Throughout his three decades of experience, he has come to realize that the essence of transcription and ear training is not solely about the precise notes but rather about the “feel” of the music. Drawing an analogy, he likens the process of learning a language to being in a room where fluent speakers converse. Although one may not understand the words, mimicking the sounds, tempo, and rhythm can lead to faster fluency once vocabulary is introduced.

For musicians, this concept is paramount. The ability to vocalize while listening—despite lacking perfect pitch—allows for a deeper internalization of the music’s rhythm and flow. This technique, he emphasizes, is invaluable for embedding the rhythmic language of music in the mind before even picking up an instrument or writing it down.

In his practice, he often engages with bass lines, as this foundational element locks in rhythm while also cultivating an instinct for the harmonic root motion. “Being able to pick out the root motion is a superpower when it comes to learning songs or working in a band,” he asserts. The collaborative nature of music means that while all band members share responsibility for time and feel, bass players often carry a heavier load due to their rhythmic and harmonic control.

Reflections on a Musical Journey

The musician has had a prolific career, holding down the bottom for notable acts such as Roxy Music, Bryan Ferry, and Pink Floyd. Over four decades, he has collaborated with a diverse range of artists including Madonna and Michael Jackson, showcasing his versatility across genres.

In addition to his musical pursuits, he has become a popular podcaster and stand-up comedian, continually engaging with his audience through various creative outlets. As he prepares for future projects, he remains committed to exploring the profound connection between listening and playing, believing it to be the foundation of musical expression.

This ongoing exploration of feel in music resonates deeply with both seasoned musicians and those just beginning their journey. By fostering an understanding of rhythm and sound, he hopes to inspire others to engage with music on a more profound level, ultimately enhancing their performance and enjoyment.

As he advances in his writing, the musician emphasizes that the journey from listening to playing is not merely a technical exercise but a deeply personal experience that shapes one’s identity as an artist. Whether through transcription, active listening, or vocalization, the goal remains to keep the feel of the music at the forefront of practice.

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